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That is an version of The Atlantic Day by day, a publication that guides you thru the most important tales of the day, helps you uncover new concepts, and recommends the most effective in tradition. Join it right here.It’s Friday, and on this planet of politics, it’s been per week that—to me, anyway—looks as if a 12 months. Monday was the primary anniversary of the Hamas assault on Israel. On Wednesday, in my new cowl story, I supplied Atlantic readers a darkish (however I hope inspiring) warning from George Washington in regards to the election. Final night time, Donald Trump experimented with a brand new marketing campaign technique: going to a significant metropolis in a swing state and dumping on it. “Our entire nation will find yourself being like Detroit if [Kamala Harris] is your president,” he instructed the Financial Membership of, sure, Detroit. “You’re going to have a large number in your arms.”However additionally it is autumn, and the crisp air and falling leaves have me serious about a favourite music, and the bizarre album that produced it. And so, I assumed we would depart the disturbing twenty first century behind right this moment and return to the late Seventies, when individuals experimented with music—amongst different issues—in ways in which now appear quaint and quirky.I've two unusual musical artifacts to advocate to you. One in every of them I already talked about briefly in The Day by day greater than a 12 months in the past: the British musician and producer Jeff Wayne’s freaky 1978 rock opus, Jeff Wayne’s Musical Model of The Struggle of the Worlds. It options Richard Burton because the narrator, and he interacts with Phil Lynott of Skinny Lizzy, Justin Hayward of the Moody Blues, and David Essex, amongst others.The album is, in locations,...
That is an version of The Atlantic Day by day, a publication that guides you thru the most important tales of the day, helps you uncover new concepts, and recommends the most effective in tradition. Join it right here.
It’s Friday, and on this planet of politics, it’s been per week that—to me, anyway—looks as if a 12 months. Monday was the primary anniversary of the Hamas assault on Israel. On Wednesday, in my new cowl story, I supplied Atlantic readers a darkish (however I hope inspiring) warning from George Washington in regards to the election. Final night time, Donald Trump experimented with a brand new marketing campaign technique: going to a significant metropolis in a swing state and dumping on it. “Our entire nation will find yourself being like Detroit if [Kamala Harris] is your president,” he instructed the Financial Membership of, sure, Detroit. “You’re going to have a large number in your arms.”
However additionally it is autumn, and the crisp air and falling leaves have me serious about a favourite music, and the bizarre album that produced it. And so, I assumed we would depart the disturbing twenty first century behind right this moment and return to the late Seventies, when individuals experimented with music—amongst different issues—in ways in which now appear quaint and quirky.
I’ve two unusual musical artifacts to advocate to you. One in every of them I already talked about briefly in The Day by day greater than a 12 months in the past: the British musician and producer Jeff Wayne’s freaky 1978 rock opus, Jeff Wayne’s Musical Model of The Struggle of the Worlds.It options Richard Burton because the narrator, and he interacts with Phil Lynott of Skinny Lizzy, Justin Hayward of the Moody Blues, and David Essex, amongst others.
The album is, in locations, sort of dated: A few of the interspersed instrumentals are uncomfortably disco-ish, and some of the numbers are forgettable. However I wish to direct you to the most important hit the mission spawned, Hayward’s recording of “Eternally Autumn,” a lush, Moody Blues–like paean to a misplaced love:
By way of autumn’s golden robe we used to kick our means You at all times cherished this time of 12 months These fallen leaves lie undisturbed now ’Cos you’re not right here
It’s attractive, and also you’ll hear it lots as a stand-alone single on some stations throughout this time of 12 months. However on the album, the music is intercut with Burton’s narrator searching for his fiancée, Carrie, as London descends into chaos beneath the Martian assault. He describes stumbling by the fleeing lots solely to seek out that Carrie and her father have fled their cottage:
Hearth all of the sudden leapt from home to accommodate. The inhabitants panicked and ran. And I used to be swept together with them, aimless and misplaced with out Carrie. Lastly I headed eastward for the ocean, and my solely hope of survival: a ship out of England …
Hayward then returns to sing “A mild rain falls softly on my weary eyes / As if to cover a lonely tear.” Carrie is misplaced, and humanity isn’t far behind. “It was the start,” Burton intones over the music, “of the rout of civilization, of the bloodbath of mankind.”
Whew. On the finish, the narrator reaches the Thames in time to see Carrie make it to security on a steamer. It’s not informal listening, however that’s the purpose: If you happen to want just a little getaway from actuality, put in your headphones and let Burton and Hayward take you to a world the place ’70s synthesizers and Victorian-era prose unite to summon photographs of imperiled lovers fleeing the alien tripods attacking Massive Ben.
If you happen to want a actually trippy getaway, I’ve one different unusual tour for you. For some purpose, the late file producer Russ Regan thought it might be superior to make a film by which newsreels and film clips from World Struggle II had been set to Beatles music. Why? As a result of he noticed it in a dream, that’s why.
However wait: It’s arduous to earn cash from Beatles songs that exist already, so why not make covers of all of the songs utilizing an eclectic mixture of common ’70s rock and pop artists, throw in some backing from two full orchestras, and problem a brand-new soundtrack album?
And that, briefly, is how the 1976 movie All This and World Struggle II took place. You’ve doubtless by no means seen it, as a result of it was such a complicated bomb of a film that Twentieth Century-Fox pulled it from theaters after two weeks, by no means to be launched once more. (It’s now circulating as a cult video right here and there, and yow will discover clips on YouTube, however the film firm mainly buried it in a salt mine and sealed the doorway.)
The album, nevertheless, survives, and it’s mesmerizing, in a train-wreck sort of means. A tiny little bit of it’s fairly good. Ambrosia’s model of “Magical Thriller Tour” simply barely made it into the highest 40 in the USA, Bryan Ferry’s “She’s Leaving Residence” is relatively affecting, and the 4 Seasons do a jaunty “We Can Work It Out” that could be a reminder of how good a vocal group they had been.
The lead singer of the 4 Seasons, Frankie Valli, didn’t be a part of them on “We Can Work It Out”; as a substitute, he soloed on “A Day within the Life,” one in all a number of oddball misfires on what was then a double-album set. (I owned it as a teen.) Peter Gabriel makes “Strawberry Fields Eternally” arty and pretentious, whereas Helen Reddy gamely croons a watery model of “The Idiot on the Hill.” (You possibly can nearly see her in spangly bell-bottoms holding a white microphone with two fingers, ’70s-style.) For some purpose, Keith Moon exhibits as much as sing “After I’m Sixty-4,” and Tina Turner sneers her means by what is definitely one of many worst variations of “Come Collectively” ever recorded.
The remainder of the contributors embrace the Bee Gees (after all), Frankie Laine, the Brothers Johnson, Roy Wooden, and even a European crooner named Richard Cocciante. It’s like a dimensional rip opened up between London and Los Angeles and simply grabbed a random assortment of musicians who had been standing wherever close to electrical gear and compelled them to play for all eternity within the Beatles Multiverse.
I don’t know why this album nonetheless exists. However I admit that, each few years, I play it once more to revisit the unnatural amalgam of heat sincerity and plastic commercialism that made the Seventies such a bizarre decade.
We’ll get again to politics subsequent week. Till then, it’s Burton and the Beatles.
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For months, my spouse, Lynn, and I’ve been so touched by the type phrases a lot of you despatched when our beloved cat Carla handed away. We actually debated whether or not we’d get one other cat; Carla was a tough act to observe. However we love animals, and the shelters are filled with little buddies who want a house. Our first journey to a shelter didn’t finish nicely; we had been overwhelmed and needed to depart. However just a little over a month in the past, we went again, and this time, we adopted a five-month-old kitten we’ve named Lily. (Carla was named for a personality within the TV present Cheers, so we stayed with that theme: Lily’s full identify is Lilith Carla Nichols.)
Lots of you’ve requested about Lily, and I’m pleased to report that she is a standard, extremely energetic tuxedo cat whose temper alternates between cuddly furball and murderous apex predator in a matter of seconds. Lily is the primary kitten both Lynn or I’ve had since we had been youngsters; as an grownup, I’d beforehand adopted solely older rescues, together with Carla, who was already two after I acquired her. Lily is a reminder that kittens areeach hilarious and exasperating. (Pet me! Nope, modified my thoughts—gotta chew you now.)
I’m particularly gratified to seek out that she is a really social cat. She needs to be wherever we’re—which will be awkward, as cat homeowners know—and sleeps between us at night time. When the grandchildren come by, she follows them round. She comes when referred to as and checks out each customer. (She will additionally eat her weight in kitten meals about each 10 minutes, however she’s a rising woman.) I’ll hold you all posted.
— Tom
Stephanie Bai contributed to this text.
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